Controlling the acoustics in your studio isn’t about recording in a vacuum; it’s about creating an environment in which you can produce predictable sound. In other words, when my client plays my recorded voice at her location, she should hear close to the same sound that came out of my monitors on playback.
The space I record in is close to where I want it, but I recently read this terrific article from Mix Online, The Taming of the Room. It’s not Shakespeare, but definitely a good read.
